Wednesday, October 3, 2012

Carolina Performing Arts 2012-2013 Season

Media Release for Carolina Performing Arts 2012-2013 Season
May 17, 2012


Media Release
Date:
May 17, 2012
Contact:
Ellen James
Communications and Marketing Manager
(919) 843-0516
Carolina Performing Arts Announces the 12/13 Performance SeasonFeaturing
Commemoration of 100th Anniversary of The Rite of Spring Premiere
Single Tickets Go On Sale to the General Public June 19
Chapel Hill, NC…Carolina Performing Arts announces its eighth season featuring 46 performances and a very special centennial celebration of the premiere of The Rite of Spring.
The 12/13 Season presents several highly anticipated performances by renowned artists such as indie-bluegrass band the Punch Brothers (Oct. 16), acclaimed violinist Joshua Bell (Nov. 2), the celebrated authentic performance pioneers Orchestre Révolutionnaire et Romantique with conductor Sir John Eliot Gardiner (Nov. 14), Jazz at Lincoln Center with Wynton Marsalis (Feb. 10, 2013) and Alvin Ailey American Dance Theater (Feb. 26–27, 2013).
The season also features a celebration commemorating the centennial anniversary of the premiere of The Rite of Spring’s, the ground-breaking ballet choreographed by Vaslav Nijinsky to a score by Igor Stravinsky and performed by Serge Diaghilev’s Ballets Russes. This shockingly new artwork debuted on May 29, 1913 and resulted in a riot at the Théâtre des Champs-Élysées. The Rite of Spring premiere is considered a cultural milestone by ushering in the Modernist era.
Carolina Performing Arts’ 100th anniversary celebration, entitled The Rite of Spring at 100 (Rite 100), is the most daring endeavor ever undertaken by the organization. As part of Rite 100, Memorial Hall will host nine world premieres and two U.S. premieres and 11 new works commissioned by Carolina Performing Arts. The new works, created by world-renowned composers, choreographers and performers, will revisit, re-examine and respond to the Stravinsky-Nijinsky masterpiece. In addition to the new works, several dance companies will perform new interpretations of The Rite of Spring choreography that were created during the past century.
The complete The Rite of Spring at 100 performance schedule:
  • The Silk Road Ensemble with Yo-Yo Ma, performing a new work by Uzbek composer Dmitri Yanov-Yanovsky, Sept. 30–Oct. 1 (World Premiere)
  • Compagnie Marie Chouinard, performing a reinterpretation of The Rite of Spring choreography, Oct. 14
  • Studio for New Music Ensemble from the Moscow Tchaikovsky Conservatory performing Oct. 25 as part of the opening celebration for the Reassessing The Rite: A Centennial Conference
  • The Mariinsky Orchestra of St. Petersburg conducted by Valery Gergiev, will feature a new work by Matthias Pintscher based on the two-trumpet theme of The Rite of Spring, Oct. 29–30 (U.S. Premiere)
  • Pierre-Laurent Aimard, piano, will launch his 2012-13 concert tour in Chapel Hill with an evening devoted to “color in sound,” featuring Préludes, Book II by Claude Debussy, Nov. 11
  • Brooklyn Rider will present new works by Colin Jacobsen and Shara Worden. The program also includes new compositions by avant-garde experimental musician John Zorn and singer-songwriter Gabriel Kahane, Nov. 16 (World Premiere)
  • Bill T. Jones and Anne Bogart, in a first-ever collaboration, have created A Meditation on the Rite of Spring (working title) exploring the physiological effects of music to be performed by the combined forces of their companies: Bill T. Jones/Arnie Zane Dance Company and SITI Company, Jan. 25–26, 2013 (World Premiere)
  • Magdalena Kožená, mezzo-soprano, and Yefim Bronfman, piano, will perform a new work written for Rite 100 by Marc-André Dalbavie, Feb. 20, 2013 (U.S. Premiere)
  • The Cleveland Orchestra, with Giancarlo Guerrero, conductor, features a program exploring the influence of Igor Stravinsky on Aaron Copland’s music, Mar. 17, 2013
  • Joffrey Ballet will present a literal re-creation of the 1913 The Rite of Spring, reconstructed in 1987 by dance historian and choreographer Millicent Hodson, Mar. 23–24, 2013
  • Vijay Iyer, jazz pianist will present his new work HOLI: The Colors of Mathura, performed by the Chicago-based International Contemporary Ensemble and accompanied by multimedia footage created by filmmaker Prashant Bhargava, Mar. 26, 2013 (World Premiere)
  • Nederlands Dans Theater I will perform a work choreographed by Medhi Walerski to music by Joby Talbot inspired by The Rite of Spring’s music and kinetic energy, Apr. 3 & Apr. 5, 2013 (U.S. Premiere)
  • Basil Twist, master puppeteer, will stage an abstract work entitled The Rite of Spring and conceived as a “ballet without dancers” and accompanied by the Orchestra of St. Luke’s, Apr. 12–13, 2013 (World Premiere)
  • UNC School of the Arts will present The World After The Rite featuring performances of Stravinsky’s ballet, Pulcinella (1920) and Shen Wei’s interpretation of The Rite of Spring (2003), under the direction of Chancellor John Mauceri, Apr. 20–21, 2013
  • Béjart Ballet Lausanne will perform one of the great mid-century reinterpretations of The Rite of Spring, featuring Maurice Béjart’s choreography, April 26–27, 2013

Rite 100 also incorporates two major academic conferences in Moscow and Chapel Hill, artist residencies, masterclasses, university courses and multidisciplinary collaborations. To learn more about the performances and special events, go to www.theriteofspringat100.org
The 12/13 Regular Season
The 12/13 Season opens with the National Theatre of Scotland returning to Chapel Hill and presenting David Greig’s award-winning The Strange Undoing of Prudencia Hart, staged at Top of the Hill’s Back Bar (Sept. 16–20). The performance is described as an evening of “anarchic theater, live music and strange goings-on.”
In October, Carolina Performing Arts presents the world premiere of Elsewhere, a “CelloOpera” by Maya Beiser, a virtuosic cellist and diva of the avant-garde and featuring vocalist Helga Davis. This haunting new multimedia performance stages two dramatic interpretations of apocalyptic visions in a stunning showcase of postmodern collaboration. The work features an assemblage of original video, choreography and stage environments under the direction of Robert Woodruff.
In addition to the premieres and new works, the 12/13 Season features eagerly anticipated performances by artists returning to Memorial Hall. Carolina Performing Arts welcomes back multi-Grammy Award-winning Latin superstar and social activist Gilberto Gil (Nov. 12) with a program that pays homage to baião music pioneer Luiz Gonzaga.
Orchestre Révolutionnaire et Romantique, with Sir John Eliot Gardiner return to Memorial Hall, after selling out two concerts in 2011, will perform Beethoven’s greatest masterpiece, the Ninth Symphony with the Monteverdi Choir in one of only three stops on their U.S. tour.
Also returning to Carolina Performing Arts is KODO (Feb. 25, 2013), the world-renowned Japanese ritual drumming ensemble known for their high-energy, speed, dexterity, precision and muscular endurance.
The holiday season features the enduring favorite, The Nutcracker (Dec. 1–2) by the Carolina Ballet. Carolina Performing Arts, for the first time, will also present Jazz for the Holidays (Dec. 7) by the NC Jazz Repertory Orchestra with special guest jazz vocalist John Pizzarelli, performing a special selection of holiday favorites and classic tunes.
Later in the season, Carolina Performing Arts, in a partnership with the Center for Global Initiatives and the Center for the Study of the American South, will host two performances as part of the annual Global American South Conference. Ambassadors of African-American string band music, The Carolina Chocolate Drops will perform with fellow returning artist Vusi Mahlasela, known simply as “The Voice” in his home country of South Africa (Feb. 8, 2013). The following evening, Abigail Washburn, clawhammer banjo player, will perform with Kai Welch alongside Wu Fei, an internationally acclaimed guzheng master from China (Feb. 9, 2013).
As part of the season’s classical recitals, violinist Joshua Bell will perform a program of Franz Schubert, Richard Strauss, Antonin Dvořák and Sergei Prokofiev (Nov. 2). Radu Lupu, a seminal pianist of his generation, will be performing compositions by César Franck and Franz Schubert (Jan. 19, 2013).
The jazz series brings to Chapel Hill two Cuban jazz musicians, a living legend and a new force on the scene. Chucho Valdés (Nov. 27), who just won the 2011 Grammy for Best Latin Jazz Album with Chucho’s Steps, is one of the legendary innovators of Cuban jazz and hailed as one of the greatest jazz pianists in the world. On Feb. 22, 2013, the Dafnis Prieto Sextet takes the Memorial Hall stage. A Cuban-born drummer and composer now living in New York City, Prieto has had a major impact on the world of jazz, receiving a MacArther “Genius” Fellowship just last year. His band will be appearing in conjunction with Carolina Jazz Festival. Also featured in the jazz series is vocalist Kurt Elling (Mar. 20, 2013), who will bring his rich baritone and vocalese style to Chapel Hill.
Tickets
Tickets to the general public go on sale June 19 and can be ordered over the phone by calling (919) 843-3333, going online at www.carolinaperformingarts.org or visiting Memorial Hall Box Office on the UNC-Chapel Hill campus.
Subscription packages go on sale to the general public June 9. This year, Carolina Performing Arts is offering a “choose your own” ticket package with special discounts for packages of four, six, eight or more tickets to different performances. As in every year, Carolina Performing Arts is offering special discounts for pre-selected ticket packages including Great Orchestras of the World; Recitals, Classically; American Roots; Dance = Freedom of Movement; Jazz Masters, Global Connections and The Complete Rite of Spring at 100 Experience. To learn more about subscription packages, go to www.carolinaperformingarts.org/tickets/
About The Rite of Spring at 100
On May 29, 1913, Serge Diaghilev’s Ballets Russes took to the stage in Paris to give the first performance of The Rite of Spring, choreographed by Vaslav Nijinsky to a score by Igor Stravinsky, with sets and costumes created by artist Nicholas Roerich. The premiere set off a shock wave that is still being felt today. In the centennial year of this famously scandalous premiere—an epoch-making event in the arts and society alike—Carolina Performing Arts at The University of North Carolina at Chapel Hill will present The Rite of Spring at 100, an unprecedented nine-month festival taking place from September 2012, through May 2013.
Through partnerships with UNC’s College of Arts and Sciences and the Institute for the Arts and Humanities at UNC, the campus will engage in a year-long dialogue on the impact of The Rite of Spring and its historical narrative through artistic residencies, masterclasses and interdisciplinary courses. Through partnerships with UNC’s Department of Music and the Institute for the Arts and Humanities, Carolina Performing Arts is supporting the creation of 14 new academic courses developed in conjunction with The Rite of Spring at 100 and two scholarly conferences in Chapel Hill, featuring eminent musicologist Richard Taruskin, and in Moscow that will shed new light and renewed reflections on this seminal work. For more information, please visit www.theriteofspringat100.org
About Carolina Performing Arts
The mission of Carolina Performing Arts is to enrich lives by creating and presenting exceptional arts experiences and connecting them to the UNC community and beyond. Established in 2005 at The University of North Carolina at Chapel Hill, Carolina Performing Arts presents the very best from the full spectrum of the performing arts: internationally renowned recitalists and orchestras; dance and chamber ensembles; jazz, folk and world music performers; and opera and theatre companies.
CPA strives to nurture artistic innovation and the development of new works on and off campus; to challenge and inspire audiences with powerful and transformative performances; and to integrate the arts into the life of the University, embracing its mission of teaching, research and public service. www.carolinaperformingarts.org
 

Exciting, Insightful Stories of a Polarized Culture


MEDIA RELEASE                                                                                   August 15, 2012

Contact:               Frank Mack, Managing Director, frank.mack@uconn.edu, 860-486-4799

 

Exciting, Insightful Stories of a Polarized Culture

Connecticut Repertory Theatre Season Explores a Disparate Society Through Diverse Theatrical Productions

 

Storrs:  The Connecticut Repertory Theatre (CRT) announces its 2012 – 2013 season which will include a wide variety of exciting theatrical styles investigating a polarized society.  For detailed information and tickets call the box office at

860-486-2113 or visit www.crt.uconn.edu.

 

Artistic Director Vincent J. Cardinal said, “In the new play O Beautiful by Theresa Rebeck, Benjamin Franklin appears on a Glenn Beck style “television news” show and states, “I am advocating temperate debate, and common sense.” To which the TV host fires back, “These are not temperate or sensible times!”  Our current Presidential election campaign and the political discourse on both sides of the debate proves the TV host’s observation. Each of the plays this season examines personal stories at moments in our history when the national conversation favored division and the human heart sought compassion.”

 

THE MAIN STAGE SERIES

 

O Beautiful                                                                                                  October 4 - October 14, 2012

By Theresa Rebeck, Regional Premiere                                                 Harriet S. Jorgensen Theatre

Directed by Joseph Hanreddy

 

O Beautiful, for spacious skies, for amber waves . . . In our age of cyber-bullying and aggressive patriotism remember those lyrics – or else! Theresa Rebeck, Broadway playwright and creator of the TV series Smash, pens a theatrically inventive mash up of contemporary American life and the history that got us to this politically polarized age. Its fiercely funny story explores the lives of high school students, teachers, and their families as they cope in a world of real personal problems and extremist ideological rhetoric that gets so heated that Jesus, Saint Paul, Joan of Arc, John Adams, Patrick Henry and Benjamin Franklin, among others, show up to weigh in and mix it up. Alternately sweet and fiery, and as topical as tonight’s newscast, O Beautiful lands the complex realities of our culture squarely on the stage deck in an electrifying blend of ancient characters, founding fathers and your neighborhood high school.

Warning: This show includes political, social and religious content that some will find challenging, maybe even offensive. Don’t miss it!

 

Romeo and Juliet                                                                                  November 29 - December 9, 2012

By William Shakespeare                                                                                               Nafe Katter Theatre

Directed by Vincent J. 

This timeless tale of “star-cross’d lovers” fills the stage with dizzying swordplay and delightful wordplay. From the first blush of forbidden teenage love, to the blooming of a passion that fuels death itself, Shakespeare’s classic love story thrills anew in every generation. In the heat of a raging feud between their two households, teenagers Romeo and Juliet lose their hearts to each other in a chance meeting. With a price on Romeo’s head, and Juliet suddenly betrothed to another man, the young lovers share a night of forbidden passion before Romeo flees the city. Juliet’s desperate pleas to call off the wedding are denied, and she hatches a secret plan for them to be reunited, with devastating consequences. Connecticut Repertory Theatre winds up 2012 with a play as passionate, comic and frightening as love itself.  

His Girl Friday                                                                                           February 28 - March 10, 2013

Adapted by John Guare From The Front Page                                     Nafe Katter Theatre

By Ben Hecht and Charles MacArthur & the Columbia Pictures Film, Directed by Dale AJ Rose


His Girl Friday is an all American rat-a-tat comedy adapted from the film to the stage by acclaimed playwright John Guare. It’s August 1939 in the Press Room of the Criminal Courts Building in Chicago.  On the world stage Hitler is about to invade Poland, but tonight Hildy Johnson just wants to bid farewell to her old pals, get married and leave the newspaper racket behind, which should go well unless she runs into her hard-boiled editor and ex-husband Walter Burns who wants to keep her on the beat and in his life. With rapid-fire dialogue and a crackling conflict, His Girl Friday remains one of our wildest, wittiest whirlwinds of American romantic comedy.

 

Hairspray                                                                                                      April 25 - May 5, 2013

Music by Marc Shaiman                                                                                                Harriet S. Jorgensen Theatre

Music & Lyrics by Marc Shaiman & Scott Whittman, Book by Mark O’Donnell & Thomas Meehan

Directed by Paul Mullins, Choreographed by Gerry McIntyre, Musical Direction by Ken Clark

 

Move over Baltimore! Storrs is the new home for Tracy Turnblad, the big girl with the big hair and the even bigger passion – to dance! It’s 1962 and Tracy wins a spot on the local TV dance program, “The Corny Collins Show.” Overnight Tracy is transformed from outsider to irrepressible teen celebrity. But can an unconventional trendsetter in dance, music and fashion vanquish the program’s reigning princess, win the heart of heartthrob Link Larkin, and integrate a television show without denting her ‘do?  Hairspray, winner of eight Tony Awards including Best Musical, is a family-friendly musical piled bouffant high with laughter, romance, and deliriously tuneful songs.

 

THE STUDIO WORKS SERIES

 

Intimate Apparel                                                                                   October 25 - November 4, 2012

By Lynne Nottage                                                                                            Studio Theatre

Directed by Michael Bradford

 

At 35, Esther is lonely. A skilled African-American seamstress in 1905 Manhattan, she makes exquisite undergarments for clients including a sincere socialite from tony Fifth Avenue and an earnest prostitute.  Strong, practical and confident Esther resists her landlady’s insistence on marriage for marriage’s sake while cautiously allowing an unexpected friendship, filled with longing, to grow between her and her fabric merchant, an immigrant Jew.  After exchanging letters with a West Indian laborer, Esther finally accepts his invitation and marries this man she has never met. Pulitzer Prize-winning playwright Lynn Nottage stitches a tale of romance, greed and ambition – and also a tender story of seeking real friendship across the vast social gulf separating a seamstress and a socialite, the yearning of inter-racial as well as inter-faith love, and the persistence of spirit as Esther tries to craft a life as beautiful as one of her camisoles.  “Ms. Nottage writes big-hearted plays,” – New York Times

 

Punk Rock                                                                                                     March 28 - April 7, 2013

By Simon Stephens                                                                                         Studio Theatre

Directed by Kristin Wold

 

Variety calls Simon Stephens “one of the most important and exciting British playwrights working today…” His play Punk Rock, set at a British boarding school, is inspired by the 1999 Columbine shooting, which Stephens says, “felt like the start of the 21st century.” Ferociously funny, complex, contemporary and unnerving, Punk Rock explores the underlying jittery tensions, hormonal headiness and potential violence in a group of affluent, articulate seventeen-year-old students as they begin to plan for college and the rest of their lives.  What happens when kids have the world at their feet, and its weight on their shoulders?


O Beautiful is a plea for civil discourse and empathy by one of our most important contemporary writers. Set in an average American suburb, the play asks, through sharp humor and electrifying theatrical invention, what happens to our teenagers as they try to find their way in a world defined by polarizing rhetoric and vitriol? O Beautiful is controversial, challenging, and human. In the end, Rebeck finds our common values through our best hopes and aspirations. Veteran playwright and director Joseph Hanreddy will helm this regional premiere. CRT audiences loved Hanreddy’s adaptation of Pride and Prejudice in 2011.

 

In Shakespeare’s Romeo and Juliet, a long divide between the Montague and Capulet families causes tragic results. Over the centuries this feud has been re-imagined by each generation to reflect the racial, cultural, familial and ethnic separations, propagated by the elders that define the times. This masterpiece has much to contribute to CRT’s season-long conversation about finding genuine connection in a polarized world.

 

Romantic polarization is the engine of screwball comedy and playwright John Guare brings one of the great comic films to the stage with his new adaption of Howard Hawks’ His Girl Friday. Guare’s adaption sets this comic war of wills against the backdrop of a United States about to go to war, which adds gravitas to the prickliest, and funniest, romance since Shakespeare’s Beatrice and Benedict.

 

CRT will close the Main Stage Series full of nostalgia and hope, with the deliriously tuneful dance musical Hairspray, which takes on racial segregation, bullying, and social prejudice without missing a step or hitting a sour note. Paul Mullins, director of last season’s hit premiere I’m Connecticut, will helm this irresistible Broadway musical. As The New York Times said, “If life were everything it should be, it would be more like Hairspray.”

 

In the Studio Works Series, a series of student productions in the intimate 116-seat Studio Theatre, CRT will present Pulitzer Prize-winner Lynne Nottage’s Intimate Apparel about a modest African American seamstress who fashions delicate undergarments for women across social strata in the New York City of 1905. Intimate Apparel explores the common thread of love and aspiration across racial, social, and cultural divides. The spring Studio Works show will be Simon Stephens’ Punk Rock. Punk Rock makes a nod to familiar territory covered in the much-appreciated History Boys, Catcher in the Rye, even TV’s Skins, but Stephens manages to capture something uniquely of this moment in time. These current teens, vicious with laughter and frustrated in everyday hope, internalize the pressures they are forced to endure and the result is shocking, devoid of nostalgia, and resonant with warning.

 

Near the end of O Beautiful at a particularly heated town meeting, Jesus, a member of the community, quiets the chaos with a loud whistle and a prayer. He says,

 

Please let us remember we are a community of beings who share this earth with each other.

Let us listen to each other with grace and humility. Amen.

 

SPECIAL PUPPET ARTS PRODUCTION

The Dick Myers Puppet Theatre Project                           April  11 – 14, 2013

                                                                                                                                Studio Theatre


In the 1960’s and 70’s Dick Myers toured his one-man puppet performances based on classic fairy tales throughout Europe, The Soviet Union, Japan and the U.S.  Jim Henson and Frank Oz both proclaimed Dick Myers as "the genius of American Puppetry."  MFA Puppet Arts student, Seth Shaffer will restore the original puppets and remount two of Dick Myers' shows under the direction of Bart Roccoberton, Head of the renowned UConn Puppet Arts program.  Tickets for this special presentation will be available exclusively to CRT subscribers  through Oct. 31 by calling 860-486-2113. General audience tickets will go on sale Nov. 1.  Ticket prices are $15 for general audiences, and $12 for CRT subscribers.  Seating will be limited, so call quickly!


SUBSCRIPTION INFORMATION

 

Current CRT subscribers have been sent a subscription renewal form.  New subscriptions are on sale now.  Please call 860-486-2113 for information on subscribing and general ticket information. The CRT Box Office is now located at the Nafe Katter Theatre, 820 Bolton Road, on the Storrs campus.  The Box Office is open Monday through Friday from noon to 5 p.m.

 

Performances are usually Wednesdays through Sundays.  Wed. & Thu. evening performances start at 7:30 p.m., Fri. and Sat. evening performances start at 8 p.m., Sat. and Sun. matinee performances start at 2 p.m.  There are occasional Tues. evening performances at 7:30 p.m.

 

Ticket prices range from $6 to $36, and subscribers receive a discount of up to 25 percent off regular ticket prices.

 

All plays, dates and times are subject to change.

 

Connecticut Repertory Theatre

 

CRT is the professional producing arm of the Department of Dramatic Arts at the University of Connecticut, Storrs. CRT productions are directed, designed by and cast with visiting professional artists, including Equity actors, faculty members, and the department’s most advanced student artists.  The synergy between professional and advanced student artists creates extraordinary theatre and a unique learning environment.

 

 

# # #

Hastings College presents “44 Plays for 44 Presidents”

2012 - 2013 Releases




09.26.12Hastings College presents “44 Plays for 44 Presidents”

Enjoy an array of funny to touching to just plain odd, historically accurate shows as Hastings College presents, “44 Plays for 44 Presidents”. The production runs from Thursday, October 4 – Saturday, October 6 at 8:00 p.m., and on Sunday, October 7 at 2:00 p.m. Additionally, HC will host a special election night performance will be on Tuesday, November 6 at 8:00 p.m. All performances will be in the Scott Studio Theatre (806 N. Turner Ave.) The play does contain minimal adult language.

The Box Office opens Thursday, September 27 and will remain open Monday-Friday from noon to 5 p.m. Tickets are $8 general and $5 for seniors and non-HC students. Call (402) 461-7380 or e-mail tickets@hastings.edu.

Hastings College joins 44 other theatre companies across the U.S. simultaneously producing the play leading up to the 2012 Presidential Election. In conjunction with the festival, HC will exhibit local artists’ renditions of America’s 44 presidents in the Scott Theatre. Then, during the week of the 2013 Presidential Election, HC will show a feature film with footage from the productions across the country. On election night, all 44 companies will simultaneously perform the play as results are tallied.

Hastings College Department of Theatre Arts presents
44 Plays for 44 Presidents
By Andy Bayiates, Sean Benjamin, Genevra Gallo-Bayiates, Chloë Johnston, and Karen Weinberg
An evening of 44 funny, touching, and plain odd short plays, chronicling the history of the American Presidency.

CAST LIST
Kyle Bell – Julesburg, CO
Zakary Burns – Oxford, NE
Robby Collins – Papillion, NE
Emily Funkey – Hastings, NE
Jacob Gilchrist – Colorado Springs, CO
Becca Holloway – Grand Island, NE
Johnny Johnson – Grand Island, NE
Andy Jones – Bladen, NE
Sallie Myers – Thermopolis, WY
Emma Parrish – Sterling, CO
Abby Phelps – Emporia, KS
Beth Wilkins – Omaha, NE

PRODUCTION TEAM
Directed by Jim Fritzler, Professor of Theatre Arts
Scenic and Property Designer by Annette M. Vargas, Assistant Professor of Theatre Arts
Costumes Designer by Margaret Marsh, Adjunct Professor in Costuming
Lighting Designer by Bernie Tushaus, Professor of Theatre and Communications
Sound and Projections Designer by Alex Eisele, Greeley, CO
Stage Manager – Tyler Donovan, Thorton, CO
Assistant Stage Manager – Alex Goerner, Mead, CO
Scenic Crew Head – Patrick White, Omaha, NE
Costumes Crew Head – Lindsey Wilkens, Castle Rock, CO
Lights Crew Head/Assistant Designer – Beth Wilkins, Omaha, NE
Assistants – Thomas Olsen, Grand Island, NE
Lisa Carpenter, Hastings, NE
Sounds and Projections Assistants – Holly Wolfe, Danburg, NE
Aaron Pierce, Cozad, NE
Prop Master – Keely Lindblad, Hastings, NE
Assistant – Cassie Reid, Littleton, CO
Box Office/House Manager – Amy Kaestner, Gibbon, NE
Assistant – Katherine Arias, Lexington, NE

Note to Media: Press nights are at 7 p.m., Monday, October 1 or 8 p.m., Tuesday, October 2 in Scott Studio Theatre (806 N. Turner Ave.). For more information, contact Jim Fritzler at (402) 461-7348 or jfritzler@hastings.edu.

Broadway in Pensacola 2012-2013 Season

Press Releases
Broadway in Pensacola 2012-2013 Season
PENSACOLA, Fla. – Jam Theatricals and the Friends of the Saenger are proud to announce the Broadway in Pensacola 2012-2013 Season with six phenomenal shows and premiering in Pensacola Rock of Ages, Shrek The Musical, The Midtown Men, and The Addams Family.
The Broadway in Pensacola 2012-2013 Season also includes: The greatest love story of all times, West Side Story, and the Public Theater’s new Tony-winning production of Hair. The season kicks off with the worldwide party musical, Rock of Ages, not to be outdone by everyone’s favorite ogre Shrek the Muscial, and a jump-to-your-feet show put on by The Midtown Men. The season comes to a close with a smash-hit musical comedy, the darkly delirious world of The Addams Family.
Subscriptions to this spectacular season are on sale now. Subscriber benefits include guaranteed same great seats to all season shows, as well as the chance to renew those seats from year-to-year. Subscribers also receive additional ticket discounts and the chance to purchase tickets for any added shows to the season before the general public. Lost ticket insurance is included for no additional cost.
Presented this year are the 4-show Classic Series (includes West Side Story, Hair, The Midtown Men, and The Addams Family), and the 5-show Premier Series (includes the Classic Series shows plus Shrek the Musical). Prices range from $190-$325 depending upon the Series and seating choices. Rock of Ages can be added for an additional cost.
New subscriptions are processed in the order that they are received. All seats are assigned on a first-come, first-served basis after existing subscriber’s renewal requests have been processed. At this time, only season subscription sales are available. Tickets for individual shows will on sale as each performance date approaches. To receive advance notice of on-sale dates, please join the Saenger Theatre pre-sale e-mail list at www.pensacolasaenger.com.
For more information on becoming a subscriber to the Broadway in Pensacola 2012-2013 Season, please call the Subscription Hotline at 850-595-3880 or visit the Pensacola Saenger Theatre Box Office. We are also offering online subscriptions at www.Pensacolasaenger.com.

Season at a Glance

Rock of Ages- Sunday, October 7, 2012 at 7:00 p.m.
Shrek the Musical- Tuesday, November 20, 2012 at 7:30 p.m.
West Side Story- Thursday, January 3, 2013 at 7:30 p.m.
Hair- Tuesday, January 29, 2013 at 7:30 p.m.
The Midtown Men- Tuesday, March 19, 2013 at 7:30 p.m.
The Adams Family- Wednesday, April 24, 2013 at 7:30 p.m.

Monday, October 1, 2012

Birmingham Festival Theatre is pleased to announce its 2012-2013 season.

Birmingham Festival Theatre is pleased to announce its 2012-2013 season. These six plays continue a tradition uninterrupted since 1972. BFT is Birmingham’s oldest continuously operating theatre offering fare for thinking adults.
Conveniently located in Five Points South, BFT is within walking distance (one or two blocks) of a wide variety of restaurants - from the city’s finest dining to quick snacks - and clubs - from laid-back jazz to blaring rock to quiet conversation. Five Points is your park-once spot for an urban evening of dining, theatre, and drinks.

Black Pearl Sings! (September 13-29) The season begins with the Alabama premier of a Frank Higgins play based on the true story of Alan Lomax’s discovery of Huddie Ledbetter (known as Lead Belly) in the Angola Prison Farm (the Louisiana State Penitentiary). This play with music (mostly a capella performances of early versions of American folk music known in different forms today) tells the story of a white academic WPA employee and a black prisoner grappling with their exploitation by society. Donna Thornton and Nancy Malone, both Birmingham and BFT veterans, act and sing in this moving script. Playwright Frank Higgins will attend the opening night performance and reception as well as participate in a post- performance talk-back with the cast and audience following the second performance.

Love, Loss and What I Wore (November 1-17) The season’s second, even more estrogen-laced, production by Nora and Delia Ephron, is a study in modern American womanhood. The voice of recently deceased Nora can be heard in this script filled with clever, funny, and moving insights from her own life and many women she knew. Nora is best known for her screenplays including Silkwood, When Harry Met Sally…, Sleepless in Seattle, and, most recently, Julie & Julia. In this production, eight actresses (Pam Elder, Lily Li, Julie Meadows, Dianne Mooney, Linda Neighbors, Jennifer Price, Ginger Sharbel, and Kristina Warren) bring to life nearly thirty women. Every woman will see herself in this show; every man needs to see it to better understand the women in his life.

Yankee Tavern (January 10-26) The third production, Steven Dietz’s cliff-hanger script, rings in the new year in a soon-to-close Manhattan bar. It is filled with mystery, conspiracy, and thrills. Just when you think you have heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern… You won’t know where you’re headed as you fall down the rabbit hole into an alternate universe, but you’ll walk out of the theatre better for the experience.

Red (March 7-23) The fourth production, John Logan’s Socratic dialogue is based on the life of artist Mark Rothko, and in particular his commission for a series of paintings for the Four Seasons restaurant. This work considers the meaning and importance of integrity, personal and artistic, and the forces that nibble away at it without us noticing. Two men, Rothko and his newly-hired assistant, struggle to understand and exemplify these values.

Beauty of the Father (April 25-May 11) The fifth production, Nilo Cruz’s romantic tale is set in an Andalusia, Spain, in which the ghost of deceased poet Federico Garcia Lorca still roams the streets. It is a love story with myriad connections and relationships. Is it a romantic triangle or rectangle? Cruz’s Pulitzer Prize winning Anna in the Tropics was staged in BFT’s 2010-11 season to great critical acclaim.

The Last Flapper (June 13-29) And the season closes with William Luce’s story of Montgomery’s Zelda Sayre Fitzgerald’s last hours at a sanatorium in Asheville, North Carolina. Zelda claimed that much of the work on which F. Scott’s celebrity was based was stolen from her. And historians see substantial evidence to support this view. Zelda will be played by Melissa Cox Summey in this one-woman show as the clever, creative, troubled, and exciting flapper who typified an era.

BFT is pleased to join with others in Birmingham, Alabama, celebrating the city’s role in the struggle for the civil rights for all our citizens and looking forward to continuing that progress at an accelerating rate in the future. Though not scheduled as a part of the official 2013 City of Birmingham’s fiftieth anniversary celebration of the 1963 demonstrations that focused the world’s attention on America’s civil rights struggle, Black Pearl Sings! is a reminder of our history of racial and gender discrimination and the need for us to continue our efforts to end such.

Since 1972’s production of A Taste of Honey, a story of both racial and sexual preference bias, BFT has spoken up for the civil rights of all Americans. Included in the list of BFT shows addressing civil rights issues through the years are The Boys in the Band (1973), The Killing of Sister George (1975), The Shadow Box (1979), For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf (1980), The Blacks: A Clown Show (1984), March of the Falsettos (1984), Cloud Nine (1985), A Soldier’s Play (1987), My Children, My Africa! (1993), Purlie Victorious (1994), Ali (1995), The Last Night of Ballyhoo (1999), Gross Indecency: The Three Trials of Oscar Wilde (2000), Angels in America: Millennium Approaches (2001), Spinning into Butter (2001), The Laramie Project (2002), Angels in America: Perestroika (2003), Hedwig and the Angry Inch (2004), Take Me Out (2005), Voice of Good Hope (2006), I Am My Own Wife (2007), The Children’s Hour (2007), The White Rose (2008), Elegies for Angels, Punks, and Raging Queens (2008), The Little Dog Laughed (2008), The Sunset Limited (2009), and The Last Hotel for Women (2012).

Birmingham Festival Theatre is located at 1901½ 11th Avenue South upstairs above the Golden Temple Café. The entrance is through an inviting courtyard on 19th Street at the rear of the building. Tickets for individual performances are $20 apiece ($10 for students). Season tickets (7 flexible vouchers for use at any combination of performances during the entire season) cost $99 and are on sale through September 30, 2012. Purchase season tickets online at www.BFTonline.org or by telephone at (205) 933-2383. Make performance reservations by phone at (205) 933-2383.

WAR HORSE, the 2011 Tony® Award-winning Best Play concludes performance January 6, 2013

WILL CONCLUDE BROADWAY RUN
SUNDAY, JANUARY 6, 2013
AS THE LONGEST RUNNING TONY® AWARD WINNING BEST PLAY OF THE LAST DECADE
LANDMARK PLAY CONTINUES RUNS IN LONDON AND ON U.S. TOUR WITH NEW PRODUCTIONS LAUNCHING IN 2013 FOR AUSTRALIA, BERLIN, AND UK TOUR
(September 4, 2012 – New York, NY) WAR HORSE, the 2011 Tony® Award-winning Best Play and international sensation seen by over 2 million people worldwide, will conclude its Broadway run Sunday, January 6, 2013 (at the Vivian Beaumont Theater - 150 West 65 Street) as the longest-running Tony® Award-winning Best Play of the last decade. At time of closing, the production will have played 718 performances and 33 previews.

The National Theatre of Great Britain’s production of WAR HORSE, presented by Lincoln Center Theater (under the direction of André Bishop and Bernard Gersten), the National Theatre of Great Britain (under the direction of Nicholas Hytner and Nick Starr) and Bob Boyett, swept the 2011 theater awards winning five Tony Awards including Best Play, the Drama Desk Award for Best Play, three Outer Critics Circle Awards including Best Play and the Drama League Award for Outstanding Production of a Play.
“It has been our great honor and pleasure to help bring War Horseto Broadway,” said André Bishop, Artistic Director of Lincoln Center Theater. “War Horse is that rare play that brings joy to everyone it touches- from the most avid theatergoers to children, seeing their first Broadway show. There are few theatrical experiences that can be categorized as truly magical and everyone at LCT is thrilled to have been a part of this one.”
“From its earliest days at the National Theatre workshop, War Horse has been a very special and unique project,” added Nick Starr, Executive Director of the National Theatre of Great Britain. “Its journey from a rehearsal space to the National Theatre stage to Tony Award-winning play and international sensation has been thrilling and unprecedented. In 2013, War Horse will launch productions in Australia and Berlin, plus a UK tour, and planning is already underway for engagements in Asia and South Africa. I think it’s safe to say this show’s journey is far from over.”
“Working with these two great theatres to bring a once-in-a-generation theatrical experience to Broadway is, for me, a source of deep personal pride and a highlight in my career,” said producer Bob Boyett. “War Horse is theatre at its best: magical, moving, and invigorating. I’m so grateful to have been a part of bringing such an inspired and inspiring piece of theatre to New York.”
In addition to New York, WAR HORSE has major productions running in London, Toronto, and a newly-launched US national tour which will visit 30 cities in the 2012-2013 season. Future productions of WAR HORSE are planned for Australia, Berlin, and a UK tour.
Set at the dawn of World War I, WAR HORSE tells the powerful and uplifting story of young Albert, his beloved horse Joey, and the unimaginable obstacles they overcome both individually and together. At the heart of the show are life-sized puppets which bring breathing, galloping, charging horses to thrilling life on stage. Filled with stirring music and some of the most innovative stagecraft of our time, WAR HORSE is a remarkable tale of courage, loyalty and friendship, and an unforgettable theatrical experience.
The production won numerous special awards including a special Tony Award for the Handspring Puppet Company, a citation from the New York Drama Critics Circle, a special Drama Desk Award to the Creative Team for Thrilling Stagecraft and a special Outer Critics Circle Award to the Handspring Puppet Company. Michael Morpurgo’s novel, War Horse, was also the inspiration for Steven Spielberg’s feature film of the same name, which was nominated for six Academy Awards including Best Picture.
The US tour opened to rave reviews in June 2012 at the Ahmanson Theatre in Los Angeles. The tour is currently in San Francisco and will go on to visit Dallas, Atlanta, Durham, Boston, Washington DC, Pittsburgh, Philadelphia, East Lansing, Des Moines, Chicago, Costa Mesa, Tempe, Seattle, Portland, Spokane, St. Louis, Cincinnati, Cleveland, Tampa, Ft. Lauderdale, Fayetteville, Charlotte, Providence, Minneapolis, and Appleton. For the full tour schedule, please visit warhorseonstage.com.
In New York, the cast of 37 features Stephen James Anthony, Toby Billowitz, Alyssa Bresnahan, Lute Breuer, Hunter Canning, Anthony Cochrane, Richard Crawford, Sanjit de Silva, Andrew Durand, Joel Reuben Ganz, Ben Graney, Alex Hoeffler, Leah Hofmann, Ben Horner, Brian Lee Huynh, Jeslyn Kelly, Tessa Klein, David Lansbury, Tom Lee, Jonathan Christopher MacMillan, David Manis, Jonathan David Martin, Nat McIntyre, Andy Murray, David Pegram, Kate Pfaffl, Jude Sandy, Tommy Schrider, Hannah Sloat, Jack Spann, Elliot Villar, Enrico D. Wey, Isaac Woofter, Katrina Yaukey and Madeleine Rose Yen.
WAR HORSE received its World Premiere in a limited engagement at the National’s Olivier Theatre in 2007. The play returned to the National Theatre for a second run playing from in 2008-2009 before transferring to the West End’s New London Theatre in Spring 2009 where it continues its sold out open-ended run.
The performance schedule for WAR HORSE at Lincoln Center Theater is Tuesday evenings at 7 pm, Wednesday through Saturday evenings at 8pm with matinees Wednesday and Saturday at 2pm and Sunday at 3 pm. Tickets to WAR HORSE, priced from $50 to $135, are available at the Lincoln Center Theater box office (150 West 65 Street), at telecharge.com or by visiting WarHorseOnBroadway.com.
This production of WAR HORSEis sponsored by American Express.
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