Monday, October 8, 2012

Opening on October 3rd at the Berlin Staatsoper: New staging of Richard Wagner’s SEGFRIED

 

With Richard Wagner’s SIEGFRIED Daniel Barenboim and director Guy Cassiers present the third part of their “Ring” at the Staatsoper Berlin. The coproduction with the Teatro alla Scala di Milano began in 2010 in collaboration with the Toneelhuis Antwerp. The Staatskapelle Berlin and an excellent ensemble of singers with Lance Ryan (Siegfried), Iréne Theorin (Brünnhilde), Juha Uusitalo (Der Wanderer), Peter Bronder (Mime), Johannes Martin Kränzle (Alberich), Mikhail Petrenko (Fafner), Anna Larsson (Erda) and Rinnat Moriah (Waldvogel) promise highest musical quality.

The Flemish director and set-designer Guy Cassiers interprets the “Ring” as a dramatic story of our global world order, wherein the real power is in the hands of those who control, manipulate and distribute images and information. Together with Arjen Klerkx and Kurt D’Haeseleer (video), Enrico Bagnoli (lighting) as well as Tim Van Steenbergen (costume) he combines Wagnerian vocabulary with today’s technical possibilities. The award-winning choreographer Sidi Larbi Cherkaoui has developed a choreography for five dancers for this new staging of SIEGFRIED. In combination with the singer-performers’ voices and the sound of the orchestra it all comes together as a “Gesamtkunstwerk” in the Wagnerian sense.

This “Ring” will be completed with the new production of DIE GÖTTERDÄMMERUNG in March 2013. The cycle will be shown consecutively for the first time during the FESTTAGE (March 23rd – April 1st).

SIEGFRIED
Second day of the stage festival play DER RING DES NIBELUNGEN by Richard Wagner
Opening night Wednesday, 3rd of October 2012, 6pm
further performances on the 6th and 10th of October 2012
and as part of the „Ring“ cycle on the 27th March as well as on April 7th and 18th 2013
Staatsoper im Schiller Theater, Bismarckstraße 110, 10625 Berlin

Sunday, October 7, 2012

TALK ABOUT: “OH, WE GOT TROUBLE!”

press release - For further information, contact Doug Weyand at 716-839-8539.


MusicalFare Theatre’s
T3 SERIES presents:
TALK ABOUT: “OH, WE GOT TROUBLE!”
DATE/TIME: Thursday, September 27, 2012
TIME: Following the performance of THE MUSIC MAN at approximately 9:30pm
As part of MusicalFare Theatre’s T3 Series (see information page below) and in connection with MusicalFare’s current production of THE MUSIC MAN, MusicalFare presents “Oh, We Got Trouble!” The event is an informative and spirited Talk About the homespun American roots of THE MUSIC MAN, scam artists and traveling salesmen, feminism and original career women, and love, sweet love that conquers all.
The evening’s panelists include:
Dr. Peter Siedlecki – Professor of English, Daemen College
Becca Bley – Reference and Instruction Librarian, Daemen College
Chris Kelly – Director of THE MUSIC MAN
Randall Kramer – Artistic/Executive Director, MusicalFare Theatre
The panel discussion is FREE; tickets to the performance of THE MUSIC MAN that evening can be purchased by calling the Theatre box office at 716-839-8540 or by ordering online at www.musicalfare.com.
MusicalFare Theatre’s Talk About series is funded in part by the New York Council for the Humanities.
MusicalFare Theatre is a professional musical theatre company in residence at, but independently operated from, Daemen College. MusicalFare Theatre is located at 4380 Main Street in Amherst, NY (between Harlem and Getzville Roads). Parking is FREE, and the theatre is handicapped accessible, complete with a hearing-impaired system.

Panelist Bios:
Dr. Peter Siedlecki – Dr. Peter Siedlecki has been at Daemen College for more than thirty years. From 1982 through 1984, he was named Fulbright Senior Lecturer in American Literature in Krakow, Poland, and again in 1988-89. He was the first Fulbright lecturer to serve in the former German Democratic Republic (since the GDR terminated in 1989). Areas of specialization are World literature, American literature, and contemporary poetry. He also teaches a liberal arts colloquium for first year students, titled "The Romantic Impulse." He is listed in Who's Who in America, Who's Who in the World, Who's Who Among America's Teachers, and the Directory of Poets and Writers. His poetry has been published in numerous journals. During the fall of 1997, he was awarded a sabbatical to complete work on a book dealing with the function of storytelling in the determination of the self. He and English major Beth Seilberger recently presented a collaborative paper, "The Nature of Jack Kerouac's Journey: Two Perspectives," at the fall conference of the New York College English Association. In addition, he is an avid racquetball player, a grammar-school baseball coach, and a semi-competent folksinger.
Chris Kelly is thrilled to return to MusicalFare with partner in crime Bobby Cooke to work on THE MUSIC MAN after directing last season’s HAIR and OLIVER! A BUA company member, Chris has directed a number of shows with the company including THE LARAMIE PROJECT (Artie Award), BAD SEED (Artie Award), THE TEMPERAMENTALS, TRUE LOVE LIES, ANITA BRYANT DIED FOR YOUR SINS, THE BEEBO BRINKER CHRONICLES, I AM MY OWN WIFE and many others. He also directed O’Connell & Company’s production of LUCKY STIFF and The Kavinoky’s BLACK TIE. As an actor he has performed with BUA, Kavinoky, TOY, and ICTC where he will be seen in this coming season’s A COUPLE OF BLAGUARDS and DANCING AT LUGHNASA. In his spare time, Chris manages local rock band The Albrights (www.thealbrightsband.com) who recently won Best Original Music Act in The Artvoice Best Of Buffalo contest as well as an award from Buffalo Spree.
Becca Bley, M.L.S. - Becca is the Reference and Instruction Librarian at Daemen College. After receiving a B.A. in English from SUNY Fredonia in 2008, she went on to complete a Masters in Library and Information Studies at the University at Buffalo. She then took over as the Reference and Instruction Librarian at Daemen College as of September, 2012. She is an animal lover, a yoga enthusiast, and an avid homebrewer.

MUSICALFARE THEATRE’S
T3 SERIES

DALLAS SUMMER MUSICALS ANNOUNCES 2013 SEASON

 
 

DALLAS SUMMER MUSICALS ANNOUNCES 2013 SEASON
OF THE BEST OF BROADWAY AT THE MUSIC HALL AT FAIR PARK

Dallas Summer Musicals, Inc. (DSM) has announced their 73rd season of shows, with seven touring Broadway productions coming to the Music Hall at Fair Park. DSM has been entertaining North Texas audiences with the finest in professional live theatrical entertainment since 1941.
In announcing the new season, Michael A. Jenkins, President and Managing Director of Dallas Summer Musicals, said, “Our 73rd season provides a Destination to unparalleled entertainment with the unprecedented number of three Blockbuster hit shows within the season schedule, in which all shows are direct from Broadway. With DSM’s affordable prices, this means our subscribers will enjoy an unbeatable entertainment value in 2013.”
Dallas Summer Musicals, Inc. (DSM) is the preeminent non-profit presenter of Broadway theatre in North Texas. DSM produces, presents and promotes excellence in live musical theatre with year-round performances for diverse audiences of all ages, impacting the lives of children and families through community outreach and education, and enriching the cultural landscape of Dallas/Fort Worth, North Texas and the Southwest Region.
DSM is the largest producer and presenter of live theatrical entertainment in the Southwest, the second oldest summer theatre organization in the United States, and the fourth largest non-profit theatre company. In addition to presenting national Broadway tours, DSM also produces shows on Broadway, presents and tours productions, and is involved in developing new works. Dallas Summer Musicals’ affiliates include DSM Management Group, Inc. (DSMMGI), which manages the Music Hall at Fair Park.
DSM 2013 SEASON AT THE MUSIC HALL AT FAIR PARK
CATCH ME IF YOU CAN, February 12-24, 2013. Based on the hit Dreamworks Film and the incredible true story that inspired it, Catch Me If You Can is the high-flying, splashy new Broadway musical that tells the story of Frank W. Abagnale, Jr., a teenager who runs away from home in search of the glamorous life. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer—living the high life and winning the girl of his dreams. But when Frank’s lies catch the attention of FBI agent Carl Hanratty, Carl chases Frank to the end—and finds something he never expected. A big-hearted musical adventure based on an astonishing real-life story of being young, in love, and in deep, deep trouble.
Disney and CAMERON MACKINTOSH present MARY POPPINS, March 20-30, 2013. Returning to Dallas for two weeks only, the “roof-raising, toe-tapping, high-flying extravaganza!” as proclaimed by the New York Daily News, features an irresistible story and unforgettable songs from one of the most popular Disney films of all time. With brand-new breathtaking dance numbers and spectacular stage-craft, MARY POPPINS is everything you could ever want in a hit Broadway show. Get swept up in the fun of this high-flying musical the New York Post gave four out of four stars, calling it “a certifiable super hit!”
WICKED, THE UNTOLD STORY OF THE WITCHES OF OZ, April 10-May 5, 2013. So much happened before Dorothy dropped in! Variety calls WICKED “a cultural phenomenon,” and it has broken box office records and sold out every time it has played Dallas. Winner of 35 major awards, including a Grammy® and three Tony® Awards, WICKED is “Broadway’s biggest blockbuster,” according to The New York Times. Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One—born with emerald green skin—is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good Witch makes for “the most complete—and completely satisfying—new musical in a long time.” (USA Today).
PRISCILLA QUEEN OF THE DESERT, THE MUSICAL, May 14-26, 2013. Presenting the most outrageously fun Broadway musical, a spectacular show that tells the uplifting story of a trio of friends on a road trip of a lifetime. Hopping aboard a battered old bus in search of love and friendship in the middle of the Australian Outback, they end up finding more than they could ever have dreamed. An international hit with over 500 dazzling, Tony® Award-winning costumes, PRISCILLA features a hit parade of dance-floor favorites including “It’s Raining Men,” “Finally” and “I Will Survive.” The Hollywood Reporter calls PRISCILLA “funny and fabulous! Joyous entertainment with eye-popping visuals and unexpected heart!”
SISTER ACT, A DIVINE MUSICAL COMEDY, June 4-16, 2013. Broadway’s feel-amazing musical comedy smash, called by The New York Post “Ridiculously Fun,” has audiences jumping to their feet in total agreement. Featuring original music by 8-time Oscar® winner Alan Menken (Beauty and the Beast, The Little Mermaid, Little Shop of Horrors), SISTER ACT tells the story of Deloris Van Cartier, a wannabe diva whose life takes a surprising turn when she witnesses a crime and the cops hide her in the last place anyone would think to look—a convent. Under the suspicious watch of Mother Superior, Deloris helps her fellow sisters find their voices as she unexpectedly rediscovers her own. A sparkling tribute to the universal power of friendship, SISTER ACT is reason to rejoice.
FLASHDANCE, THE MUSICAL, June 25-July 7, 2013. The pop-culture phenomenon and runaway international success is now live on stage. It all started with a dream. To be bigger. To burn brighter. To dance harder. Directed and choreographed by Sergio Trujillo (Jersey Boys, Memphis, The Addams Family), this new musical features a score of smash hits including The Academy Award® winning title track “Flashdance – What a Feeling,” “Maniac,” “I Love Rock & Roll,” and 16 new original songs. Experience the magic all over again, as FLASHDANCE leaves you begging for more.
Disney presents THE LION KING, October 2-20, 2013. Experience the phenomenon of Disney’s THE LION KING, Broadway’s Landmark Musical. Marvel at the breathtaking spectacle of animals brought to life by award-winning director Julie Taymor, whose visual images for this show you’ll remember forever. Thrill to the pulsating rhythms of the African Pridelands and an unforgettable score, including Elton John and Tim Rice’s Oscar-winning song “Can You Feel the Love Tonight” and “Circle of Life.” Let your imagination run wild at the Tony Award-winning Broadway sensation Newsweek calls “a landmark event in entertainment.” THE LION KING will be the 2013 State Fair of Texas musical.
Season tickets, priced from $125-$710, go on sale Tuesday, August 28 at The Box Office, 5959 Royal Lane, #542 in Dallas. Subscribers may order by mail or in person at The Box Office, by phoning 214-346-3300, by faxing 214-691-7386, or online at www.dallassummermusicals.org. For groups, please call 214-426-GROUP.
Season subscribers enjoy such benefits as first opportunity to get the best seats available for the season, plus huge savings over single ticket prices and easy payment plans, lost ticket replacement, ticket exchange privileges and a 20% discount on all DSM logo merchandise. Plus, season subscribers have first option on their seats for the following season, and can save significant amounts over the cost of single tickets.
DSM will continue its 73-year tradition of bringing the Best of Broadway to North Texas, setting the standard in musical theatre entertainment. DSM’s 2014 season will begin in December, 2013, with Irving Berlin’s WHITE CHRISTMAS at the Music Hall.
Season sponsors for Dallas Summer Musicals are The Dallas Morning News, Metro PCS, WFAA TV Channel 8, American Airlines, and Texas Instruments.
As a nonprofit organization, DSM relies on a variety of funding sources to bring the Best of Broadway to Dallas at affordable ticket prices, as well as to preserve the beautiful historic theater, educate young audiences and create important community programs. DSM’s Seats for Kids program provides a meaningful arts education experience to thousands of low income, at-risk and special needs children. DSM provides positive incentives for youth that are at risk for gang membership through the Stage Right program. In addition, the Dallas Summer Musicals Academy of Performing Arts offers professional theater arts training and scholarships to talented students in need. Ticket sales alone do not sustain these endeavors. Only support from committed businesses, foundations and individuals make these programs possible.
For more information about Dallas Summer Musicals, please call (214) 421-5678 or visit the website at www.dallassummermusicals.org
# # #
For media information about any of the individual shows or the Dallas Summer Musicals, and for videotape, photos, or reviewer’s passes, please call Jo Ann Holt at 214-413-3977, or email joannholt@gmail.com.

Wednesday, October 3, 2012

Carolina Performing Arts 2012-2013 Season

Media Release for Carolina Performing Arts 2012-2013 Season
May 17, 2012


Media Release
Date:
May 17, 2012
Contact:
Ellen James
Communications and Marketing Manager
(919) 843-0516
Carolina Performing Arts Announces the 12/13 Performance SeasonFeaturing
Commemoration of 100th Anniversary of The Rite of Spring Premiere
Single Tickets Go On Sale to the General Public June 19
Chapel Hill, NC…Carolina Performing Arts announces its eighth season featuring 46 performances and a very special centennial celebration of the premiere of The Rite of Spring.
The 12/13 Season presents several highly anticipated performances by renowned artists such as indie-bluegrass band the Punch Brothers (Oct. 16), acclaimed violinist Joshua Bell (Nov. 2), the celebrated authentic performance pioneers Orchestre Révolutionnaire et Romantique with conductor Sir John Eliot Gardiner (Nov. 14), Jazz at Lincoln Center with Wynton Marsalis (Feb. 10, 2013) and Alvin Ailey American Dance Theater (Feb. 26–27, 2013).
The season also features a celebration commemorating the centennial anniversary of the premiere of The Rite of Spring’s, the ground-breaking ballet choreographed by Vaslav Nijinsky to a score by Igor Stravinsky and performed by Serge Diaghilev’s Ballets Russes. This shockingly new artwork debuted on May 29, 1913 and resulted in a riot at the Théâtre des Champs-Élysées. The Rite of Spring premiere is considered a cultural milestone by ushering in the Modernist era.
Carolina Performing Arts’ 100th anniversary celebration, entitled The Rite of Spring at 100 (Rite 100), is the most daring endeavor ever undertaken by the organization. As part of Rite 100, Memorial Hall will host nine world premieres and two U.S. premieres and 11 new works commissioned by Carolina Performing Arts. The new works, created by world-renowned composers, choreographers and performers, will revisit, re-examine and respond to the Stravinsky-Nijinsky masterpiece. In addition to the new works, several dance companies will perform new interpretations of The Rite of Spring choreography that were created during the past century.
The complete The Rite of Spring at 100 performance schedule:
  • The Silk Road Ensemble with Yo-Yo Ma, performing a new work by Uzbek composer Dmitri Yanov-Yanovsky, Sept. 30–Oct. 1 (World Premiere)
  • Compagnie Marie Chouinard, performing a reinterpretation of The Rite of Spring choreography, Oct. 14
  • Studio for New Music Ensemble from the Moscow Tchaikovsky Conservatory performing Oct. 25 as part of the opening celebration for the Reassessing The Rite: A Centennial Conference
  • The Mariinsky Orchestra of St. Petersburg conducted by Valery Gergiev, will feature a new work by Matthias Pintscher based on the two-trumpet theme of The Rite of Spring, Oct. 29–30 (U.S. Premiere)
  • Pierre-Laurent Aimard, piano, will launch his 2012-13 concert tour in Chapel Hill with an evening devoted to “color in sound,” featuring Préludes, Book II by Claude Debussy, Nov. 11
  • Brooklyn Rider will present new works by Colin Jacobsen and Shara Worden. The program also includes new compositions by avant-garde experimental musician John Zorn and singer-songwriter Gabriel Kahane, Nov. 16 (World Premiere)
  • Bill T. Jones and Anne Bogart, in a first-ever collaboration, have created A Meditation on the Rite of Spring (working title) exploring the physiological effects of music to be performed by the combined forces of their companies: Bill T. Jones/Arnie Zane Dance Company and SITI Company, Jan. 25–26, 2013 (World Premiere)
  • Magdalena Kožená, mezzo-soprano, and Yefim Bronfman, piano, will perform a new work written for Rite 100 by Marc-André Dalbavie, Feb. 20, 2013 (U.S. Premiere)
  • The Cleveland Orchestra, with Giancarlo Guerrero, conductor, features a program exploring the influence of Igor Stravinsky on Aaron Copland’s music, Mar. 17, 2013
  • Joffrey Ballet will present a literal re-creation of the 1913 The Rite of Spring, reconstructed in 1987 by dance historian and choreographer Millicent Hodson, Mar. 23–24, 2013
  • Vijay Iyer, jazz pianist will present his new work HOLI: The Colors of Mathura, performed by the Chicago-based International Contemporary Ensemble and accompanied by multimedia footage created by filmmaker Prashant Bhargava, Mar. 26, 2013 (World Premiere)
  • Nederlands Dans Theater I will perform a work choreographed by Medhi Walerski to music by Joby Talbot inspired by The Rite of Spring’s music and kinetic energy, Apr. 3 & Apr. 5, 2013 (U.S. Premiere)
  • Basil Twist, master puppeteer, will stage an abstract work entitled The Rite of Spring and conceived as a “ballet without dancers” and accompanied by the Orchestra of St. Luke’s, Apr. 12–13, 2013 (World Premiere)
  • UNC School of the Arts will present The World After The Rite featuring performances of Stravinsky’s ballet, Pulcinella (1920) and Shen Wei’s interpretation of The Rite of Spring (2003), under the direction of Chancellor John Mauceri, Apr. 20–21, 2013
  • Béjart Ballet Lausanne will perform one of the great mid-century reinterpretations of The Rite of Spring, featuring Maurice Béjart’s choreography, April 26–27, 2013

Rite 100 also incorporates two major academic conferences in Moscow and Chapel Hill, artist residencies, masterclasses, university courses and multidisciplinary collaborations. To learn more about the performances and special events, go to www.theriteofspringat100.org
The 12/13 Regular Season
The 12/13 Season opens with the National Theatre of Scotland returning to Chapel Hill and presenting David Greig’s award-winning The Strange Undoing of Prudencia Hart, staged at Top of the Hill’s Back Bar (Sept. 16–20). The performance is described as an evening of “anarchic theater, live music and strange goings-on.”
In October, Carolina Performing Arts presents the world premiere of Elsewhere, a “CelloOpera” by Maya Beiser, a virtuosic cellist and diva of the avant-garde and featuring vocalist Helga Davis. This haunting new multimedia performance stages two dramatic interpretations of apocalyptic visions in a stunning showcase of postmodern collaboration. The work features an assemblage of original video, choreography and stage environments under the direction of Robert Woodruff.
In addition to the premieres and new works, the 12/13 Season features eagerly anticipated performances by artists returning to Memorial Hall. Carolina Performing Arts welcomes back multi-Grammy Award-winning Latin superstar and social activist Gilberto Gil (Nov. 12) with a program that pays homage to baião music pioneer Luiz Gonzaga.
Orchestre Révolutionnaire et Romantique, with Sir John Eliot Gardiner return to Memorial Hall, after selling out two concerts in 2011, will perform Beethoven’s greatest masterpiece, the Ninth Symphony with the Monteverdi Choir in one of only three stops on their U.S. tour.
Also returning to Carolina Performing Arts is KODO (Feb. 25, 2013), the world-renowned Japanese ritual drumming ensemble known for their high-energy, speed, dexterity, precision and muscular endurance.
The holiday season features the enduring favorite, The Nutcracker (Dec. 1–2) by the Carolina Ballet. Carolina Performing Arts, for the first time, will also present Jazz for the Holidays (Dec. 7) by the NC Jazz Repertory Orchestra with special guest jazz vocalist John Pizzarelli, performing a special selection of holiday favorites and classic tunes.
Later in the season, Carolina Performing Arts, in a partnership with the Center for Global Initiatives and the Center for the Study of the American South, will host two performances as part of the annual Global American South Conference. Ambassadors of African-American string band music, The Carolina Chocolate Drops will perform with fellow returning artist Vusi Mahlasela, known simply as “The Voice” in his home country of South Africa (Feb. 8, 2013). The following evening, Abigail Washburn, clawhammer banjo player, will perform with Kai Welch alongside Wu Fei, an internationally acclaimed guzheng master from China (Feb. 9, 2013).
As part of the season’s classical recitals, violinist Joshua Bell will perform a program of Franz Schubert, Richard Strauss, Antonin Dvořák and Sergei Prokofiev (Nov. 2). Radu Lupu, a seminal pianist of his generation, will be performing compositions by César Franck and Franz Schubert (Jan. 19, 2013).
The jazz series brings to Chapel Hill two Cuban jazz musicians, a living legend and a new force on the scene. Chucho Valdés (Nov. 27), who just won the 2011 Grammy for Best Latin Jazz Album with Chucho’s Steps, is one of the legendary innovators of Cuban jazz and hailed as one of the greatest jazz pianists in the world. On Feb. 22, 2013, the Dafnis Prieto Sextet takes the Memorial Hall stage. A Cuban-born drummer and composer now living in New York City, Prieto has had a major impact on the world of jazz, receiving a MacArther “Genius” Fellowship just last year. His band will be appearing in conjunction with Carolina Jazz Festival. Also featured in the jazz series is vocalist Kurt Elling (Mar. 20, 2013), who will bring his rich baritone and vocalese style to Chapel Hill.
Tickets
Tickets to the general public go on sale June 19 and can be ordered over the phone by calling (919) 843-3333, going online at www.carolinaperformingarts.org or visiting Memorial Hall Box Office on the UNC-Chapel Hill campus.
Subscription packages go on sale to the general public June 9. This year, Carolina Performing Arts is offering a “choose your own” ticket package with special discounts for packages of four, six, eight or more tickets to different performances. As in every year, Carolina Performing Arts is offering special discounts for pre-selected ticket packages including Great Orchestras of the World; Recitals, Classically; American Roots; Dance = Freedom of Movement; Jazz Masters, Global Connections and The Complete Rite of Spring at 100 Experience. To learn more about subscription packages, go to www.carolinaperformingarts.org/tickets/
About The Rite of Spring at 100
On May 29, 1913, Serge Diaghilev’s Ballets Russes took to the stage in Paris to give the first performance of The Rite of Spring, choreographed by Vaslav Nijinsky to a score by Igor Stravinsky, with sets and costumes created by artist Nicholas Roerich. The premiere set off a shock wave that is still being felt today. In the centennial year of this famously scandalous premiere—an epoch-making event in the arts and society alike—Carolina Performing Arts at The University of North Carolina at Chapel Hill will present The Rite of Spring at 100, an unprecedented nine-month festival taking place from September 2012, through May 2013.
Through partnerships with UNC’s College of Arts and Sciences and the Institute for the Arts and Humanities at UNC, the campus will engage in a year-long dialogue on the impact of The Rite of Spring and its historical narrative through artistic residencies, masterclasses and interdisciplinary courses. Through partnerships with UNC’s Department of Music and the Institute for the Arts and Humanities, Carolina Performing Arts is supporting the creation of 14 new academic courses developed in conjunction with The Rite of Spring at 100 and two scholarly conferences in Chapel Hill, featuring eminent musicologist Richard Taruskin, and in Moscow that will shed new light and renewed reflections on this seminal work. For more information, please visit www.theriteofspringat100.org
About Carolina Performing Arts
The mission of Carolina Performing Arts is to enrich lives by creating and presenting exceptional arts experiences and connecting them to the UNC community and beyond. Established in 2005 at The University of North Carolina at Chapel Hill, Carolina Performing Arts presents the very best from the full spectrum of the performing arts: internationally renowned recitalists and orchestras; dance and chamber ensembles; jazz, folk and world music performers; and opera and theatre companies.
CPA strives to nurture artistic innovation and the development of new works on and off campus; to challenge and inspire audiences with powerful and transformative performances; and to integrate the arts into the life of the University, embracing its mission of teaching, research and public service. www.carolinaperformingarts.org
 

Exciting, Insightful Stories of a Polarized Culture


MEDIA RELEASE                                                                                   August 15, 2012

Contact:               Frank Mack, Managing Director, frank.mack@uconn.edu, 860-486-4799

 

Exciting, Insightful Stories of a Polarized Culture

Connecticut Repertory Theatre Season Explores a Disparate Society Through Diverse Theatrical Productions

 

Storrs:  The Connecticut Repertory Theatre (CRT) announces its 2012 – 2013 season which will include a wide variety of exciting theatrical styles investigating a polarized society.  For detailed information and tickets call the box office at

860-486-2113 or visit www.crt.uconn.edu.

 

Artistic Director Vincent J. Cardinal said, “In the new play O Beautiful by Theresa Rebeck, Benjamin Franklin appears on a Glenn Beck style “television news” show and states, “I am advocating temperate debate, and common sense.” To which the TV host fires back, “These are not temperate or sensible times!”  Our current Presidential election campaign and the political discourse on both sides of the debate proves the TV host’s observation. Each of the plays this season examines personal stories at moments in our history when the national conversation favored division and the human heart sought compassion.”

 

THE MAIN STAGE SERIES

 

O Beautiful                                                                                                  October 4 - October 14, 2012

By Theresa Rebeck, Regional Premiere                                                 Harriet S. Jorgensen Theatre

Directed by Joseph Hanreddy

 

O Beautiful, for spacious skies, for amber waves . . . In our age of cyber-bullying and aggressive patriotism remember those lyrics – or else! Theresa Rebeck, Broadway playwright and creator of the TV series Smash, pens a theatrically inventive mash up of contemporary American life and the history that got us to this politically polarized age. Its fiercely funny story explores the lives of high school students, teachers, and their families as they cope in a world of real personal problems and extremist ideological rhetoric that gets so heated that Jesus, Saint Paul, Joan of Arc, John Adams, Patrick Henry and Benjamin Franklin, among others, show up to weigh in and mix it up. Alternately sweet and fiery, and as topical as tonight’s newscast, O Beautiful lands the complex realities of our culture squarely on the stage deck in an electrifying blend of ancient characters, founding fathers and your neighborhood high school.

Warning: This show includes political, social and religious content that some will find challenging, maybe even offensive. Don’t miss it!

 

Romeo and Juliet                                                                                  November 29 - December 9, 2012

By William Shakespeare                                                                                               Nafe Katter Theatre

Directed by Vincent J. 

This timeless tale of “star-cross’d lovers” fills the stage with dizzying swordplay and delightful wordplay. From the first blush of forbidden teenage love, to the blooming of a passion that fuels death itself, Shakespeare’s classic love story thrills anew in every generation. In the heat of a raging feud between their two households, teenagers Romeo and Juliet lose their hearts to each other in a chance meeting. With a price on Romeo’s head, and Juliet suddenly betrothed to another man, the young lovers share a night of forbidden passion before Romeo flees the city. Juliet’s desperate pleas to call off the wedding are denied, and she hatches a secret plan for them to be reunited, with devastating consequences. Connecticut Repertory Theatre winds up 2012 with a play as passionate, comic and frightening as love itself.  

His Girl Friday                                                                                           February 28 - March 10, 2013

Adapted by John Guare From The Front Page                                     Nafe Katter Theatre

By Ben Hecht and Charles MacArthur & the Columbia Pictures Film, Directed by Dale AJ Rose


His Girl Friday is an all American rat-a-tat comedy adapted from the film to the stage by acclaimed playwright John Guare. It’s August 1939 in the Press Room of the Criminal Courts Building in Chicago.  On the world stage Hitler is about to invade Poland, but tonight Hildy Johnson just wants to bid farewell to her old pals, get married and leave the newspaper racket behind, which should go well unless she runs into her hard-boiled editor and ex-husband Walter Burns who wants to keep her on the beat and in his life. With rapid-fire dialogue and a crackling conflict, His Girl Friday remains one of our wildest, wittiest whirlwinds of American romantic comedy.

 

Hairspray                                                                                                      April 25 - May 5, 2013

Music by Marc Shaiman                                                                                                Harriet S. Jorgensen Theatre

Music & Lyrics by Marc Shaiman & Scott Whittman, Book by Mark O’Donnell & Thomas Meehan

Directed by Paul Mullins, Choreographed by Gerry McIntyre, Musical Direction by Ken Clark

 

Move over Baltimore! Storrs is the new home for Tracy Turnblad, the big girl with the big hair and the even bigger passion – to dance! It’s 1962 and Tracy wins a spot on the local TV dance program, “The Corny Collins Show.” Overnight Tracy is transformed from outsider to irrepressible teen celebrity. But can an unconventional trendsetter in dance, music and fashion vanquish the program’s reigning princess, win the heart of heartthrob Link Larkin, and integrate a television show without denting her ‘do?  Hairspray, winner of eight Tony Awards including Best Musical, is a family-friendly musical piled bouffant high with laughter, romance, and deliriously tuneful songs.

 

THE STUDIO WORKS SERIES

 

Intimate Apparel                                                                                   October 25 - November 4, 2012

By Lynne Nottage                                                                                            Studio Theatre

Directed by Michael Bradford

 

At 35, Esther is lonely. A skilled African-American seamstress in 1905 Manhattan, she makes exquisite undergarments for clients including a sincere socialite from tony Fifth Avenue and an earnest prostitute.  Strong, practical and confident Esther resists her landlady’s insistence on marriage for marriage’s sake while cautiously allowing an unexpected friendship, filled with longing, to grow between her and her fabric merchant, an immigrant Jew.  After exchanging letters with a West Indian laborer, Esther finally accepts his invitation and marries this man she has never met. Pulitzer Prize-winning playwright Lynn Nottage stitches a tale of romance, greed and ambition – and also a tender story of seeking real friendship across the vast social gulf separating a seamstress and a socialite, the yearning of inter-racial as well as inter-faith love, and the persistence of spirit as Esther tries to craft a life as beautiful as one of her camisoles.  “Ms. Nottage writes big-hearted plays,” – New York Times

 

Punk Rock                                                                                                     March 28 - April 7, 2013

By Simon Stephens                                                                                         Studio Theatre

Directed by Kristin Wold

 

Variety calls Simon Stephens “one of the most important and exciting British playwrights working today…” His play Punk Rock, set at a British boarding school, is inspired by the 1999 Columbine shooting, which Stephens says, “felt like the start of the 21st century.” Ferociously funny, complex, contemporary and unnerving, Punk Rock explores the underlying jittery tensions, hormonal headiness and potential violence in a group of affluent, articulate seventeen-year-old students as they begin to plan for college and the rest of their lives.  What happens when kids have the world at their feet, and its weight on their shoulders?


O Beautiful is a plea for civil discourse and empathy by one of our most important contemporary writers. Set in an average American suburb, the play asks, through sharp humor and electrifying theatrical invention, what happens to our teenagers as they try to find their way in a world defined by polarizing rhetoric and vitriol? O Beautiful is controversial, challenging, and human. In the end, Rebeck finds our common values through our best hopes and aspirations. Veteran playwright and director Joseph Hanreddy will helm this regional premiere. CRT audiences loved Hanreddy’s adaptation of Pride and Prejudice in 2011.

 

In Shakespeare’s Romeo and Juliet, a long divide between the Montague and Capulet families causes tragic results. Over the centuries this feud has been re-imagined by each generation to reflect the racial, cultural, familial and ethnic separations, propagated by the elders that define the times. This masterpiece has much to contribute to CRT’s season-long conversation about finding genuine connection in a polarized world.

 

Romantic polarization is the engine of screwball comedy and playwright John Guare brings one of the great comic films to the stage with his new adaption of Howard Hawks’ His Girl Friday. Guare’s adaption sets this comic war of wills against the backdrop of a United States about to go to war, which adds gravitas to the prickliest, and funniest, romance since Shakespeare’s Beatrice and Benedict.

 

CRT will close the Main Stage Series full of nostalgia and hope, with the deliriously tuneful dance musical Hairspray, which takes on racial segregation, bullying, and social prejudice without missing a step or hitting a sour note. Paul Mullins, director of last season’s hit premiere I’m Connecticut, will helm this irresistible Broadway musical. As The New York Times said, “If life were everything it should be, it would be more like Hairspray.”

 

In the Studio Works Series, a series of student productions in the intimate 116-seat Studio Theatre, CRT will present Pulitzer Prize-winner Lynne Nottage’s Intimate Apparel about a modest African American seamstress who fashions delicate undergarments for women across social strata in the New York City of 1905. Intimate Apparel explores the common thread of love and aspiration across racial, social, and cultural divides. The spring Studio Works show will be Simon Stephens’ Punk Rock. Punk Rock makes a nod to familiar territory covered in the much-appreciated History Boys, Catcher in the Rye, even TV’s Skins, but Stephens manages to capture something uniquely of this moment in time. These current teens, vicious with laughter and frustrated in everyday hope, internalize the pressures they are forced to endure and the result is shocking, devoid of nostalgia, and resonant with warning.

 

Near the end of O Beautiful at a particularly heated town meeting, Jesus, a member of the community, quiets the chaos with a loud whistle and a prayer. He says,

 

Please let us remember we are a community of beings who share this earth with each other.

Let us listen to each other with grace and humility. Amen.

 

SPECIAL PUPPET ARTS PRODUCTION

The Dick Myers Puppet Theatre Project                           April  11 – 14, 2013

                                                                                                                                Studio Theatre


In the 1960’s and 70’s Dick Myers toured his one-man puppet performances based on classic fairy tales throughout Europe, The Soviet Union, Japan and the U.S.  Jim Henson and Frank Oz both proclaimed Dick Myers as "the genius of American Puppetry."  MFA Puppet Arts student, Seth Shaffer will restore the original puppets and remount two of Dick Myers' shows under the direction of Bart Roccoberton, Head of the renowned UConn Puppet Arts program.  Tickets for this special presentation will be available exclusively to CRT subscribers  through Oct. 31 by calling 860-486-2113. General audience tickets will go on sale Nov. 1.  Ticket prices are $15 for general audiences, and $12 for CRT subscribers.  Seating will be limited, so call quickly!


SUBSCRIPTION INFORMATION

 

Current CRT subscribers have been sent a subscription renewal form.  New subscriptions are on sale now.  Please call 860-486-2113 for information on subscribing and general ticket information. The CRT Box Office is now located at the Nafe Katter Theatre, 820 Bolton Road, on the Storrs campus.  The Box Office is open Monday through Friday from noon to 5 p.m.

 

Performances are usually Wednesdays through Sundays.  Wed. & Thu. evening performances start at 7:30 p.m., Fri. and Sat. evening performances start at 8 p.m., Sat. and Sun. matinee performances start at 2 p.m.  There are occasional Tues. evening performances at 7:30 p.m.

 

Ticket prices range from $6 to $36, and subscribers receive a discount of up to 25 percent off regular ticket prices.

 

All plays, dates and times are subject to change.

 

Connecticut Repertory Theatre

 

CRT is the professional producing arm of the Department of Dramatic Arts at the University of Connecticut, Storrs. CRT productions are directed, designed by and cast with visiting professional artists, including Equity actors, faculty members, and the department’s most advanced student artists.  The synergy between professional and advanced student artists creates extraordinary theatre and a unique learning environment.

 

 

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